Length: 106 minutes Screen Formats: 2.35:1, 16x9 Languages: English, French Subtitles: English, Spanish Sound: Dolby Digital 5.1 Sides: 1

Extras: Scene selection/Jump to any scene. 3 Theatrical trailers (one in French) for this film, as well as ones for "9 to 5," "Norma Rae," "The Truth About Cats and Dogs" and "Working Girl." 3 TV spots.

Fresh off his success in "Four Weddings and a Funeral," Grant found himself in this 1995 film, yet another charming comedy based on an original French film (in this case, "Neuf Mois"). While it's certainly not high art, the film offers enough fun and funny moments (particularly from Robins as a wacky, foreign OBGYN), along with a terrific cast - that also includes Jeff Goldblum - to make it more than easy to watch. While it gets a bit goofy at times in its attempts at inducing laughter, is often rather predictable, and manages to subdue the incredible talents of Moore in the standard pregnant woman role, the film is nevertheless amusing and entertaining enough to make it worth recommending.

Length: 110 minutes Screen Formats: 1.85:1, 16x9 Languages: English, French Subtitles: English, Spanish Sound: Dolby Digital 2.0 Sides: 1

Extras: Scene selection/Jump to any scene. Theatrical trailer for this film, as well as ones for "For the Boys," "Nine Months," "Norma Rae," "The Truth About Cats and Dogs" and "Working Girl." Still Gallery - 5 images from the film and behind the scenes shots.

Perhaps something of a source of inspiration for the disgruntled employee-based comedy, "Working Girl," that followed it eight years later, this 1980 feminist revenge picture plays off the chauvinistic attitudes and behavior that many women have experienced at some point in their working lives.

Accordingly, and with Coleman playing such a cad that we don't care what happens to him, it's easy to root for the women to succeed in their scheme, even if the script by Patricia Resnick and director/co-writer Colin Higgins gets too loose and out of control in the film's second half. The result is a goofy but engaging and entertaining film that certainly benefits from terrific performances by Tomlin and Parton (who was making her acting debut - her title song for the film received an Oscar nomination) and a fun, underlying plot of taking matters in one's own hands.

Length: 99 minutes Screen Formats: 1.85:1, 16x9 Languages: English, French Subtitles: English, Spanish Sound: Dolby Digital 5.1 Sides: 1

Extras: Scene selection/Jump to any scene. Theatrical trailer for this film, along with ones for "9 to 5," "For the Boys," "Nine Months," Norma Rae" and "Working Girl." 2 TV spots.

A twist on the Cyrano de Bergerac story (that has inspired many a film including 1987's witty "Roxanne"), the 1996 film featured Garofalo in her first leading role, and she takes her character and runs with it, creating a fun and funny persona that makes the film work. With good performances from Thurman and Chaplin who make up the rest of the story's triangular relationship, and a decent script by Audrey Wells, the film might not be completely novel and does require some suspension of disbelief to fully enjoy it.

Yet, it's just so gosh darn charming, warm-hearted and sweet - not to mention that it also includes a lot of viewer friendly animals and their behavior -- that you can't help but forgive and/or overlook any of its minor problems. The film was also a nice career turnaround for director Michael Lehmann who had debuted with the terrific "Heathers," but then stumbled with efforts such as "Meet the Applegates," "Hudson Hawk" and "Airheads." While it's no comedy masterpiece, it's certainly funny and appealing enough that most viewers will enjoy what it has to offer.

Length: 116 minutes Screen Formats: 1.85:1, 16x9 Languages: English, French Subtitles: English, Spanish Sound: Dolby Digital 3.0 Sides: 1

Extras: Scene selection/Jump to any scene. 2 Theatrical trailers for this film, as well as ones for "9 to 5," "For the Boys," "Nine Months," "Norma Rae" and "The Truth About Cats and Dogs." 3 TV spots.

While Griffith has often been wrongly cast in certain films and thus occasionally comes off as grating in them, she and the role in this 1988 film are a perfect fit. Playing off the sympathetic and universal bit of a hard-working but under-appreciated worker, Griffith delivers a fabulous performance (that earned her an Oscar nomination along with Cusack and Weaver for their supporting roles) in what surprisingly turned out to be a very good film (that also earned a Best Picture nomination while director Nichols earned one for his efforts).

With a terrific and witty script by Kevin Spade (that smartly plays off a twist on the old Cinderella theme) and all around, solid comedic performances from the wonderful supporting cast (including Ford who returned to the comedy genre for the first time since 1979's "The Frisco Kid"), the picture works incredibly well and is highly entertaining.