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DVD REVIEW FOR
"TRAINING DAY"

(2001) (Denzel Washington, Ethan Hawke) (R)

Length Screen Format(s) Languages Subtitles Sound Sides
122 minutes Letterbox (2.35:1)
16x9 - Widescreen
English
French
English
French, Spanish
Dolby Digital 5.1 1 (Dual Layer)

PLOT & PARENTAL REVIEW

AUDIO/VIDEO ELEMENTS:
Simply put, both the aural and visual components of this disc are topnotch. The widescreen image features a razor-sharp picture, plenty of detail and good color reproduction (even in the scenes where the filmmakers chose to bathe them in distinct hues for thematic effect), resulting in a rich look presentation that's continuously pleasing to the eye.

The audio track is just as impressive. Whether it's the bass-pounding score and included songs on the soundtrack (all appearing in full dynamic range), or the multitude of surround and other spatial effects (various forms of gunfire, voices coming from the rear speakers, chopper sounds, traffic/car noises and standard musical cues), the mix is sonically impressive and works incredibly well in setting the proper mood for and/or accompanying the action of the film.

EXTRAS:
  • Scene selection/Jump to any scene.
  • Running audio commentary by director Antoine Fuqua.
  • Training Day "Crossing the Line" - 15+ minute documentary about the film's production, including clips from it, behind the scenes footage and various interviews.
  • 12+ minutes of Additional Scenes.
  • Alternate Ending.
  • Theatrical Trailer.
  • Music Video: Nelly "#1."
  • Music Video: Pharoahe Monch "Got You."
  • Filmographies for select cast and crew members.
  • DVD-ROM: Link to theatrical website.
  • COMMENTS:
    Much like canines like meaty dog food, and large, burly men enjoy hearty meals comprised of lots of beef, thespians enjoy meaty roles as well, and that's not just limited in a literal since to one named Hannibal Lecter.

    While performers often strive to pick parts that are relatively "normal," at times they revel in the chance to embody flamboyant characters where they can purposefully go over the top with their acting style and have fun while doing so. The history of the cinema is littered with such characters and the number of them has now increased by one with the creation of Alonzo Harris.

    Although the name seems relatively innocuous, the character is anything but that, and the talented Denzel Washington seemingly has a blast playing him in "Training Day." A good cop, bad cop sort of story, the film rests completely on Washington's shoulders and he seems more than able and willing to carry it. Playing the latest in a long line of corrupt cops who live and operate by their own set of rules, Washington ("The Hurricane," "Glory") brings a freshness to the role that makes it seem somewhat original

    The fun, of course, beyond the actor vigorously sinking his teeth into the role, is watching his character manipulate his rookie partner, decently played here by Ethan Hawke ("Snow Falling on Cedars," "Hamlet"). Harris not only knows the rules but has also made them up on his own home court, and Hawke's Jake is akin to Alice in Wonderland, not quite believing the upside down world in which he's suddenly and rather unexpectedly found himself.

    The two men's ideals obviously clash and there's little doubt that things will get both physical and precarious for the green cop before the final credits roll. While we've seen this sort of setup and story before, the way in which the main cast members and filmmakers have assembled it makes most of it seem fresh, at least until some late in the game contrivances partially undermine the collective efforts.

    Until then, however, the film is near completely engaging to watch, with both lead actors picking up acting nominations for their performances. The story from screenwriter David Ayer ("The Fast and the Furious," "U-571") works for the most part, and keeps us guessing for a while about Harris' true intentions.

    I personally would have preferred more of that deeper and longer into the film - where Jake can't decide or figure out if Harris is merely testing and hazing him or truly is a loose cannon - as that would have kept things interesting longer, but what's there of that does work.

    Some solutions and developments that pop up late in the film, however, do feel a bit too forced and/or contrived, and the ending nears the standard mano a mano dreck we've come to expect from films like this.

    The biggest surprise, however, is in how director Antoine Fuqua has seemingly matured as a filmmaker. After helming the style and no substance shoot 'em up film, "The Replacement Killers," and the subpar action comedy, "Bait," I didn't hold out much hope for the music video auteur turned feature film director.

    Yet, Fuqua shows he's evolved and matured as a filmmaker with this effort. While it still looks terrific from a technical standpoint, he thankfully doesn't allow style to overshadow substance. The result is a highly polished and mostly effective drama tinged with some action/thriller moments.

    That said, Fuqua hasn't entirely abandoned his music video past as he's cast various musical stars - such as Dr. Dre ("Whiteboys," "Set It Off"), Macy Gray (making her debut) and Snoop Dogg ("Bones," "Baby Boy") in various parts. While some work, others feel a bit jarring in this otherwise cameo-free production. Other supporting performances from the likes of Scott Glenn ("Vertical Limit," "The Silence of the Lambs") and Cliff Curtis ("Blow," "Three Kings") are all fine, even if many of them don't amount to much.

    While the film easily could have fallen into the "been there, seen that" category, the efforts both in front of and behind the camera make it an above average entry in its genre. Not without its flaws but nevertheless still rather good, "Training Day" rates as above average, thanks in great part to Washington's flashy, but nevertheless terrific performance.

    Training Day is now available for purchase by clicking here.

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