Based on true-life events that shocked Britain in the 1950's, "Intimate Relations" is a black comedy that runs out of steam before reaching its inevitable, but still shocking conclusion. While it loosely follows the actual outcome of the true story, the film loses its wicked approach that satirizes the sterile, "Leave it to Beaver" norms, and instead delves straight into obsessive, psychotic behavior. While the satire's there, however, it runs full steam and skewers the time when people referred to sex as "intimate relations" (hence the title), and the plot, dialogue and acting are all top notch. If he's not careful, actor Rupert Graves (who won the 1996 Montreal Film Festival best actor award for this role) is going to be typecast as the sexual deviant of choice in any movie where such a character's "services" are needed. Not only does he play a character here who sleeps with a married woman old enough to be his mother -- and usually in front of her daughter, no less -- but in the upcoming release, "Different for Girls" he plays a man who falls for and has sex with a woman he's known since high school -- when she was a he. Graves should make sure he doesn't get pigeonholed into such roles for he appears to have talent waiting to burst out onto the scene. Of course many actors have become famous and made quite a living playing similarly constructed deviant characters, but it's not something one usually sets out to do. Newcomer Laura Sadler also does a good job playing her own adolescent "deviant" whose motivations are fueled by her awakening desires.
But it's actress Julie Waters (Academy award nominee for "Educating Rita") who steals the show. Her take on the sexually frustrated 1950's housewife is very funny, particulary at the beginning when we're just starting to know her and her situation. Good bits include her responding to Guppy's question about why their male dog's name is "Princess Margaret" ("He doesn't know the difference"), and Marjorie's obvious embarrassment and "change the subject quick" attitude when her daughter approaches her with questions about menstrual cycles. It's when Marjorie takes a "Fatal Attraction" turn for the worse, however, that her true obsessive, "never let go" character is revealed. Unfortunately, that's also when the film takes a turn for the worse and loses most of its black comedy quality. Likewise, the first time she seduces Guppy with her daughter supposedly asleep in the same bed is strange and somewhat amusing (watching his shocked reaction), but after this behavior continues, the satire fades and all we're left with is rather sick, deviant behavior. Of course we're supposed to find it amusing watching Guppy's reaction to all of this and his attempts at breaking free, but black comedy often runs the fine line of not being funny, and that's what happens to this film as it progresses. Good in the beginning but turning too serious for satire in the second half, "Intimate Relations" is a movie that almost hits the mark, but falls short. We give it a 5 out of 10.