Based on the long running British TV comedy "Mr. Bean," this is actor Rowan Atkinson's (the priest in "Four Weddings & A Funeral") first appearance on the big screen as the bumbling, but good-hearted character. Known better overseas than in the States (where he's been seen in a few HBO specials), this film introduces America to another rubbery faced comic whose mere appearance can induce gut wrenching laughter. Much like that other man of many comic faces, Jim Carrey, Atkinson has perfected so many comic looks that just watching him is a pleasure in itself. While Carrey has perfected the over-the-top, in-your-face performance (think of his "Ace Ventura" movies), Atkinson's Bean character is more subdued, but still very funny.
The thing that sets him apart from most every other recent, and similar, comic characters is that Bean rarely speaks. Of course this film breaks that tradition by having him deliver an awkwardly funny speech at the end, but for the most part he delivers just one or two croaky responses that make him only that much funnier. For by doing so, he creates a character who's so inside himself and oblivious to his behavioral repercussions, that he never comes across as aggressive or belligerent (as some of Carrey's creations have in the past). Thus, no matter what he does, or rarely says, he's always liked by the audience that is equally charmed by his innocent demeanor and his occasional childlike showing off. Thus, he comes across as the exaggerated epitome of our own desire to be childlike, mixed with all of our everyday goofs, slip ups, and accidents.
Unfortunately, Atkinson isn't given much of a plot with which to work (that's partly his fault since he co-wrote the screenplay), and most of the material is there just to set up Bean's reaction to the next plot element or location. Of course that's perfectly fine and many other movies have taken a similar tactic where they just let the comedic character go to town with a simple set-up. However, the scenes when Atkinson isn't present are terribly boring and certainly not funny. In essence, this plot is much like that found in many TV variety shows. A simple, but certainly not hilarious plot is introduced (a simple, bumbling man is mistaken for an art critic) and the sketch's or film's success then rests squarely on the comedian's ability to create funny moments from that situation. Atkinson succeeds, but one only wishes the plot had more substance and was inherently more humorous to make the overall experience that much enjoyable.
Don't get us wrong, there are many funny moments in the film. Atkinson's facial gestures alone -- that cover nearly every emotional look -- are hilarious. There are also some great moments of physical comedy, including a rather long sequence involving Bean's embarrassment over accidentally splashing water onto his crotch and then having to hide that fact. Yet mixed with that are weak elements, such as a guard frantically having to get into a bathroom after Bean has spiked his coffee with laxatives. Additionally, the end of the movie tries to find humor out of strange subjects such as comatose patients and gunshot victims. Neither of them is funny to begin with, and the comedy that follows feels rather forced and certainly isn't as funny as earlier material. During that time, the film also steals a scene from TV's "Seinfeld" where candy falls into a surgical opening, and Jerry and company handled it much better several years ago in their program than is done here.
Still, it's Bean's innocence and good-hearted nature that give you a warm fuzzy feeling after the movie is over and several good memories of some clearly funny moments in the film. We just hope that should there be another Bean movie -- it's already grossed more than $100 million overseas as of this review, so the odds are pretty good we'll see Bean again -- that they'll write a better, and funnier script from which Atkinson can generate more hilarious moments. You'll laugh out loud many times during this movie, but that will be from the rubbery faced comic's performance, and not from the movie in general that itself is a rather flimsy shell. For that reason, we give "Bean" a 7 out of 10.