Growing up as a kid in the 1960's, one of my favorite things to do on Saturday mornings (long before the advent of cable, video games, or home VCR's) was to get up early, fix myself some cinnamon sugar toast, a big glass of chocolate milk, and then head downstairs to the old RCA TV. There I'd position myself about three feet away from the set and watch an hour and a half of Looney Tunes cartoons. They were simply the best -- far better than "Tom and Jerry" or even "Bullwinkle & Rocky" (although as an adult, I can better appreciate the humor of the latter).
Sure, I enjoyed watching Bugs, the Road Runner, and Yosemite Sam, etc... but some of my favorites involved the little mice who would foil the attempts of the cat (or any other character) of catching them. They'd nail all of the furniture to the ceiling to psychologically torment the cat, or they'd tie a rope to his tail that snaked its way through the house, around the china, down a banister, and finally up the chimney where a rock attached to it would ultimately send the cat on a wild ride around the house. As a kid, it didn't get any better than that.
I must not have been alone in those feelings for director Gore Verbinski and screenwriter Adam Rifkin have transformed my childhood delights into a live action, comedy film: "Mouse Hunt." While many will think this movie is just a rodent variation of the "Home Alone" movies, that series and this film can trace their origins straight back to those old Warner Brothers cartoons. In fact, it's surprising that Warner allowed Dreamworks, SKG, the new "kid" on the studio block, to make what's simply a big screen version of their old cartoons. All that's missing are the standard cartoon sticks of dynamite, a few large anvils, and a wooden crate with the name A.C.M.E. printed on the side. Maybe Warner owns the trademark on those.
Of course the beauty of those cartoons was that they were only a few minutes long, and trying to extend that to an hour and a half feature and still retain the fun is quite difficult. The good news is that "Mouse Hunt" pretty much succeeds. At times the momentum slows and results in a film that's not quite as good as those cartoons, but it's still rather enjoyable. Much of that can be attributed to Verbinski who makes his feature film directorial debut.
After a successful career of directing innovative TV commercials -- including the first of the Budweiser frog series -- he's used to cramming a lot of material into a short amount of time to get the most effective result. Where this film works best are in the short moments where we find ourselves down on the mouse's scale, and watch as he pulls every trick out of the bag to foil his attacker's efforts.
Screenwriter Rifkin has created the obligatory behind the walls or in the baseboards scenes that director of photography Phedon Papamichael has filmed from the mouse's point of view. Showing the mouses miniature world of tunnels and passageways, Papamichael allows us to "be" the mouse and there are quite a few fun moments to be had. Much praise should also go the many teams responsible for the mouse's appearance. From the computer generated images, to Stan Winston's animatronics, and finally Boone Narr's mouse wrangling, the effects are quite realistic and enjoyable to watch.
Whether the little mouse is scampering across the floor or swinging from a light bulb's pull chain from one shelf to the next (ala Indiana Jones), the results will delight kids and parents alike. Add in Alan Silvestri's score as well as the production design that includes vintage cars from the 40's and 50's -- both of which are highly reminiscent of those old Looney Tunes cartoons -- and the fond memories come rushing back from decades ago. Still, the film makers had to surround the hijinks with an hour and a half plot, and while it's adequate, it certainly isn't anything great. Simply there as a skeleton upon which to hang scene after scene of hijinks, one wishes that it alone were more humorous.
Fortunately, Nathan Lane ("The Birdcage") and Lee Evans are cast as the bumbling, comedic leads and they draw much of the the attention away from the plot and toward themselves. Lane has always been a delight to watch in any role he's played, while relative newcomer Evans should delight the kids with antics. Bearing an uncanny resemblance to a young Andy Griffith (before the popular "The Andy Griffith Show" from the 50's) Evans should definitely be cast as Sheriff Taylor should they ever make a big screen remake of that show. From their slapstick moments to their obvious behavioral differences, Lane and Evans are a throwback to comedic teams of old. Our delight comes from watching what happens to them as the mouse foils their many attempts at catching him.
Christopher Walken has a small part as a demented exterminator, and when he first appears as the gung ho mouse hunter, and knowing his reputation for playing somewhat unhinged characters, one expects some wild scenes. Unfortunately, they're mostly disappointing. While his moments are somewhat enjoyable to watch, he seems to have been restrained from really getting into his character. Now stereotyped into playing the wacky or crazed role when such services are needed, it's too bad Verbiniski and Rifkin didn't let Walken take his character to the next hilarious extreme and really let lose.
That would have seemed inevitable considering the Terry Gilliam ("Brazil") inspired set designs (the dirty, but gargantuan string factory as well as the city pound filled with row after row and cage after cage of cats) and the funny, but somewhat ghoulish opening. The moment a body pops from a casket, flies through the air, and falls down an open manhole cover into the city sewer system certainly sets the tone for what's to follow. While the rest isn't quite as macabre, it's certainly different, but in a Looney Tunes type way. There's a thrilling, but fun, sequence where the mouse has to avoid nails being fired into a baseboard by Lars, and another where the two men have a bad encounter with the hundreds of mousetraps they've carefully laid on the floor.
If you're fond of the old Looney Tunes cartoons, you'll probably enjoy this film much as I did. If on the other hand, you're looking for a "Home Alone" type movie, but without so much malicious intent, then this is the film for you and the kids. After all, the mouse is pretty much only defending himself (instead of the kid purposefully trying to hurt the intruders), and he's certainly cuter and more fun to watch then either Macaulay Culkin or his recent replacement Alex D. Linz. While this film could have been a little better, it's still a decent big screen adaption of those old cartoon shorts. We give "Mouse Hunt" a 6.5 out of 10.