Reuniting two actors (Bacon and Renfro) who appeared in last year's "Sleepers," this film mixes the formulas of two well-used plots -- the 1950-ish coming of age story and the wealth corrupts the innocent story -- and is moderately successful at creating an effective, entertaining combination. With a solid, but uneventful script from renowned (some would say infamous) screenwriter, Joe Eszterhas, the plot is decent and continually holds our interest, but isn't anything out of the ordinary. One of his earlier works, it's small in scale compared to his big hits ("Jagged Edge," "Basic Instinct") and colossal flops ("Showgirls," "Jade"), but it's meant to be seen as a more intimate story.
Essentially a semi-autobiographical tale (Eszterhas was also a Hungarian immigrant who grew up in 1960's Cleveland), the story follows the highly effective story of a kid who's picked on because he's different who then suddenly has it all -- freedom, money and women. Well, not all of the women in this case, and Karchy's continued attempts to win over the heart of his grounded love interest are where the story really works. Diney, with her reluctant romantic feelings for him, instantly deflates his blown up ego and brings him back down to Earth, and these quieter moments are a nice contrast to those with Billy Magic.
The other part of the movie that shines is Kevin Bacon's ("Apollo 13," "The River Wild") performance as that fast-talking deejay hustler. While you certainly don't like his character, he's entirely believable and you can't help but be drawn to his wheeler-dealer persona. For afficionados of the popular game, "Six Degrees of Kevin Bacon," this film adds more actors and actresses that link him with many others and further cement his status as the true center of the Hollywood universe. Renfro ("The Client") also delivers a believable and sympathetic take on his character, a young man who's seduced into a world over his head. While he learns and grows from his experience, however, he emerges as a less-likeable character.
That's essentially a problem for the movie, in that it decides not to take the standard Hollywood approach and make the character return to being good after living a life of bad. Sure, that's how real life is sometimes, as experiences harden people who then evolve into someone different from the way they were when we first met them. It is growth, but in a movie where the kid gets away with his illegal and morally questionable actions, you leave the theater not really liking him anymore. While it certainly doesn't ruin the movie, it leaves a bit of a bad taste in one's mouth and lessens one's liking of the film. Added to that is that the film often comes off as mediocre, the kind of movie that will leave your mind not long after you've seen it. You know, it's like that other movie....let's see what was the title? You know, it was about the guy who....Anyway, you get the idea. Although the decent performances keep it from receiving a bad rating, there's not much else there to highly recommend it. For those reasons, we give "Telling Lies in America" a 5 out of 10.