This is the second drama of the week dealing with familial problems that come to a head over a wintery Thanksgiving weekend (the other being "The Ice Storm."). Whereas the characters in that film had big problems and were having affairs and the kids were experimenting with all kinds of stuff, those in this film deal with more mundane and commonplace problems most of us have experienced ourselves. While it still falls under our category of "Why Do You Want to Watch Such Films?" at least there's enough humor and the problems aren't so terribly bad so as to make this film unbearable to watch.
Writer/director Bart Freundlich makes his motion picture debut with this feature and does a decent job in creating some of the characters and also filming some nice scenes and moments. He certainly has a great cast with which to work. Roy Scheider delivers a great performance as the troubled patriarch. In one scene his wife comments on how good the kids look. He responds, "Hmm, there are more of them than I remember." His many subtle expressions are not only similarly quite funny, but they also show a great deal more about him than we're told. I've always liked him as an actor and feel that he's one of the more underused talents in the industry today. Let's hope we see him in a few more films. Julianne Moore is terrific as always, despite the fact that we, and no one else in the movie likes the character she portrays. The rest of the cast perform admirably as well, despite the fact that some of them are more sketch-like than properly three-dimensional. Part of that's probably attributed to the movie's length. The film is rather short (90 minutes) for this genre and with the large cast we never really feel like we get to know the characters as well as we should have.
A film dealing with personal and familial relationships needs to have some time to build up the characters and their conflicting personalities, and this film does that for a while. It does, however, abruptly end, seeming as if Freundlich or his editors forgot to tack on the resolution-filled ending. Some will argue, I suppose that the film does that with some of the characters leaving the home, but it just feels like there's no closure -- something nearly akin to a weekly episodic TV show where the story will resume in seven days. The film also spends too much time with Mia and her former kindergarten classmate who somehow and inexplicably recognizes her after all of the intervening years. One expects something to come from their long scenes together, and perhaps there's some symbolism in the plot of the book they discuss, but it's rather veiled and uninspired. Basically a story about growing up, getting older, and wanting things to be the way they were in the past, the film starts out promising, but ends with the characters, and our anticipation of the outcome, being shortchanged. This is a decent rookie start for Freundlich, but despite the good performances, you'll feel that you're left out there hanging, which isn't good for a movie. Unless they're planning for a sequel -- and this film won't get one. We give "The Myth of Fingerprints" a 4 out of 10.