To set matters straight right away, this clearly isn't your father's historical costume drama. Playing out like an episode of "Masterpiece Theater" as filtered through "The Godfather," this sumptuous looking production has enough violence, sex, treachery and treason to make the Coppola's and Scorsese's of the world proud.
While not quite up to snuff with those director's films, and probably raising the ire of historians with its questionable historical accuracy, this is what might best be described as a stereotypical Merchant Ivory production on steroids.
Working from the notion that most moviegoers probably remember Henry VIII, but little, if anything else about the 16th century British monarchy, Indian director Shekhar Kapur ("Bandit Queen") has reportedly taken liberties with the real events to get them to fit into his two-hour film. For historical purists this may be a problem, but it's certainly not the first time history's been altered for film, and clearly won't be the last.
Besides, the film isn't intended to be shown in high school history classes and thus should mostly be judged on whether it works as a cinematic experience. As such, while the historical condensation often creates something of a confusing plot, for the most part the film works quite well. Although it most likely won't play across the lands in the nation's multiplexes, it should find a receptive audience in the art house circuit.
Featuring an amazing production design and equally well-crafted costumes (from John Myhre and Alexandra Byrne, both of whose efforts should receive Oscar nominations), the film never fails to be mesmerizing to watch. Beyond the 1970's style infusion of violence and sex, Kapur has also given the film something of a contemporary feel by the way it's been shot.
As photographed by cinematographer Remi Adefarasin ("Truly, Madly, Deeply," and the second unit photography for "The English Patient") the film has the prerequisite sumptuous genre look, but also contains more modern jump cuts and sweeping camera movements that counter the "stuffiness" that often causes most average moviegoers to dread or even avoid such costume dramas.
It also doesn't hurt that the film unfolds like a conspiracy thriller. Focusing on a short -- and possibly the most combustible -- period of the Queen's forty plus year reign, the film is filled with shady characters, shifting alliances, and other backstabbing -- both figurative and literal -- to keep the audience continually guessing about the film's particulars.
Although such maneuvering and the presence of enigmatically drawn characters occasionally gives the film something of a confusing and jumbled feel, for the most part it's an engaging, albeit methodically paced dramatic thriller.
Of course, for the film to work the title character has to be portrayed just right. While it's near impossible to judge the historical accuracy of her portrayal of the Queen, actress Cate Blanchett delivers a stellar performance in the role. Ranging from her early, naive days to dealing with the treachery surrounding her, to finally asserting her control, Blanchett ("Oscar and Lucinda," "Paradise Road") is always engaging to watch. Good in the little seen "Oscar and Lucinda," this may be Blanchett's breakout role.
Also good, but hard to judge due to the way his nebulous character is drawn, Oscar winner Geoffrey Rush ("Shine," "Les Miserables") gives a hard-edged performance as the Queen's spy, a lethal precursor to the latter, more debonair incarnation of that fellow named Bond. Perfectly mysterious, we see early on that he won't hesitate to solve problems with force, and Rush appropriately keeps him enigmatic, but fierce throughout most of the production, always keeping the audience guessing about his true allegiance.
Supporting performances are solid across the board. Christopher Eccleston ("Jude," "A Price Above Rubies") is properly menacing as the Duke who wishes to dethrone the Queen, Joseph Fiennes ("Stealing Beauty") is good as Elizabeth's longtime suitor, and actor/director Richard Attenborough (the "Jurassic Park" films and the director of "Gandhi") is perfect as the Queen's seasoned advisor who truly believes her body, mind and soul belong as much to England as to her.
With a great deal of it shot amidst various historical locations throughout the United Kingdom, the film manages to capture the proper period feel that perfectly complements the filmmakers' more modern visual take of the story.
Always compelling and featuring some fine performances from its talented cast, the film may not win any accolades from historians or high school history teachers, but it comes across as a decently crafted variation of the "normally" stuffy costume drama. We give "Elizabeth" a 7 out of 10.