Movies have addressed drug use in different ways throughout the years. Of course there are the many made for TV dramas that deal with the issue, but we're talking more about their big screen cousins. While there's always the more serious look at dealers and users, the comedies are the ones that usually stand out. From the preposterous, propaganda flick "Reefer Madness" (originally released in 1936 as "Tell Your Children") to the Cheech and Chong films of the late 1970's and early 80's, many of the pictures have been controversial simply because mainstream audiences don't know whether they're glorifying or poking fun at drugs and drug users.
"Half Baked," the latest 90's incarnation, falls into that same category. Many people may see this film as promoting drug use, while others will believe it's not meant to be taken seriously. Still others will probably sit back, light up a joint, and hope to find some humor in this film. While we're certainly not promoting that, that seems to be the necessary ingredient for enjoying this release.
Helmed by director Tamra Davis, who brought us the high brow, art house films, "Happy Gilmore" and "CB4" (facetiousness notice), and co-penned by Chappelle and Neal Brennan, this material is aimed pretty low. While it will appeal mainly to older teens and college students, it's highly unlikely that this film will find anything of a crossover audience.
Of course fans of this sort of movie will obviously criticize any serious critique of such a film. Well, that's our job, so here are the tangible details. If you've smoked pot in the past or are currently indulging, you'll probably enjoy this film. There's a lot of drug use, as well as tons of drug references used for potential comedy. Instances include the guys naming their bong, "Billy Bong Thorton" (after the actor of "Sling Blade" fame) and a pipe, "Wesley Pipes" (after actor Wesley Snipes), and a woman's name is Mary Jane (a slang reference for pot for those who didn't know). The "munchies" (developing an unsatiable appetite after smoking pot) are often used for humor such as when a group of boys "see" gargantuan sized junk food, and when a dog gets a case of them after having marijuana smoke blown into its face.
Then there are the celebrity cameos from all sorts of people who are categorized by what type of pot smoker they are/were. Comedian Jon Stewart is the Enhancement Smoker (where everything is different when seen through cannabis-glazed eyes), Willie Nelson is the You Shoulda Been There Smoker (talking about the old days of pot smoking), rapper Snoop Doggy Dog is the Scavenger Smoker (who suddenly shows up to share a joint) and Janeane Garofalo is the I'm Only Creative When I Smoke Smoker (a bad poet).
Most of these moments aren't very funny, and some may see these celebrities as endorsing drug use (some may be, others may be in on "the joke"). The oddest point comes when what appears to be Bob Saget (from "TV's Funniest Home Videos") -- or at least a strong look alike -- stands up in a drug rehab program and says, "I used to suck d*ck for coke. Have you ever sucked some d*ck for marijuana?"
The film also tries to poke fun at other movies and TV shows and is likewise only modestly successful with those efforts. There are a few moments of paying homage to the old "Batman" TV show, including a transitional effect that uses a marijuana leaf instead of the outline of a bat (with the Batman sound clip) as well as a fight scene straight from the old TV show (except that it's missing the on-screen "POW's" and "WHAM's" that would seem obvious to include in a movie like this). There's also a spoof scene from "Jerry Maguire" where one of the guys loses his job and asks who will come with him. While it's a scene ripe for spoofing, the execution is rather bland.
The main actors themselves are nothing more than caricatures, mostly of the flimsy cardboard variety. The only half decent one is Chappelle ("The Nutty Professor") whose character gets to do something beyond inhaling (and that's to have a love interest). Breuer (of TV's "Saturday Night Live" -- the guy behind the Joe Pesci impersonation and the horribly annoying "goat boy" skit) does a decent job recreating a habitually stoned, glaze-eyed slacker, but his character is just as annoying as that goat he often plays. Diaz ("High School High") is okay, but Harland Williams ("Rocket Man") and his outlandish style of humor are wasted in his limited role. Of course we certainly weren't expecting Oscar caliber performances from these guys, but at least a little substance would have been nice.
The plot is paper thin and includes some ancillary, but usually unsuccessful attempts at humor. Clarence Williams III (of the old TV show, "The Mod Squad") plays a James Bond-ish type villain, complete with a bevy of scantily clad, but highly trained, armed, and dangerous female decorations. Tommy Chong (of the former duo "Cheech and Chong") shows up as Kenny's "butch" prison bodyguard, while monotone, deadpan comedian Steven Wright plays the guy who sleeps on the sofa and rarely talks.
Yes, hilarious stuff indeed, and if your idea of comedy also includes getting laughs out of people getting high and suddenly thinking they're Superman and flying around New York City, then you'll probably enjoy this picture. Otherwise, you'd be better off passing on this film that, by all proper predictions, should be quickly making its way toward the rental shelves of your local video store. Whenever a major studio decides not to screen a new release for the press (which Universal declined to do for this film), you (and they) know it's not that good. We agree with them, and thus give "Half Baked" -- which is a good description of this movie -- a 1 out of 10.