Awkward friendships between people of different genders, ages and social classes often make for interesting movies and that's certainly the case with "Lawn Dogs." Taking its title from a moniker for those who provide lawn care maintenance, this movie is a mishmash of good and not-so-good filmmaking.
Featuring great performances from its two leads who are unfortunately surrounded by flat, stereotypical characters and an out of place, horrendously executed ending, this film is enjoyable for a while. However, like the lawn mower in the film that gets a lethal ingestion of sugar in the engine, this picture beings to sputter midway through and then gives up the ghost in its melodramatic and unfortunate finale.
Until then, however, the platonic chemistry between the two leads easily carries the film. From the start, Devon has what seems like a schoolgirl crush on Trent, and he's understandably uncomfortable with this attraction. At first he tries to ignore her, but her precocious innocense and determined qualities eventually wear down his resolve. From that point on, the two secretly become best buddies and kindred spirits, feeling that they're both outsiders.
Sam Rockwell ("Box Of Moonlight,") is quite good as the good-hearted but misunderstood working class stiff. Perfectly playing the handyman who avoids eye contact with the upper middle class elite, Rockwell easily creates a sympathetic character. When he gets his "revenge" by holding up traffic to do a skinny dipping dive from a county bridge, the audience is completely behind him.
The best performance, however, comes from young Mischa Barton. Making her feature film debut, Barton is such a dead ringer for a young Calista Flockhart (the title character on the TV show, "Ally McBeal"), in both appearance and her expressions, that the similarities are nearly eerie. A natural actress with cute looks that will transform her into a big screen beauty and talent a few years hence, Barton truly makes this film fly. With her wide-eyed fascination and determined will, she also creates a character that's easily likeable and extremely enjoyable to watch.
Unfortunately, the same can't be said for the rest of the performers and the characters they inhabit. Talented actors, such as Christopher McDonald ("Flubber") and Kathleen Quinlan ("Apollo 13"), are wasted in their one-dimensional, near caricature roles. Their Ward and June Cleaver type characters aren't pushed far enough to make them hilariously funny, and instead they come off as bland, uninteresting creations. The same holds true for the stereotypical security guard/cop, the handsome, but snobbishly meanspirited preppie, and many others.
Directly related, filmmaker John Duigan ("Sirens," "Flirting"), working from a script by Naomi Wallace, tries to skewer the upscale suburban lifestyle, but doesn't deliver anything we haven't seen before (such as in the fabulously sardonic "Edward Scissorhands"). He presents the standard meticulous attention paid to lawns, the TV set out in the backyard at a cookout and other such elements, but none of them add up to much.
Even so there are a few funny moments (an upset mailman putting Brett's mail in the path of Trent's mower, a toy gun toting, kleptomaniacal neighbor kid, etc...) to offset those problems, and the whole mediocre suburb plot could have been somewhat tolerated had Duigan lessened its use as a backdrop for the scenes featuring Devon and Trent. To make matters worse, however, that stereotypical plot line of the "bad guys" ganging up on Trent slowly begins to kill the film's momentum. It then concludes in a horrendous, poorly conceived ending that completely destroys the fun built up before it.
All of which is too bad since there are so many fun and quirky moments scattered throughout the film. In addition, Devon's constant recounting of a fairytale about Baba Yaga, an evil witch of the woods, is compelling, and the film's final scene has an out of place, but certainly magical feel to it. Had Duigan and Wallace paid as much detailed attention to the other elements of the picture as they did on Devon and Trent, this would have been a quite good film. As it stands, it's wildly uneven, but the fun moments and performances by Barton and Rockwell support it just enough to make it a film worth considering. We give "Lawn Dogs" a 5.5 out of 10.