When you hear the title "Live Flesh," the English translation for acclaimed director Pedro Almodovar's latest feature, "Carne Trémula," several thoughts inevitably pop into one's head. The first regards what the film is rated and whether it's some sort of porno film. Then one wonders if perhaps it's the latest biotechnology thriller where some new virus is literally eating away at some small town's population. Of course then you figure it must be a suspenseful horror film in the guise of a blob-like movie or perhaps a zombie, walking dead flick where some type of "monster" is after a group of innocent people.
Well, we're happy to report that while bits of the above are only partially correct, the truth is this movie, based on the novel by Ruth Rendell, is an entertaining, wild ride on the dark side of comedy. While some may see the explicit sex scenes as somewhat pornographic, and others may find the lead character as indeed, truly a monster that sets out to destroy other people's lives, they'll be somewhat missing the point and the film's weird sense of humor.
While I must admit that I haven't had the pleasure of seeing Almodovar's other noteworthy films such as "Women on the Verge of a Nervous Breakdown" or "Tie Me Up! Tie Me Down!" this film certainly makes me want to go back and check them out. If this film is anything like them and if you like your comedy a little dark and full of twists, then this picture is for you.
Although the obvious fans of Almodovar at our screening immediately zeroed in on the film's comic elements, it took me (and others) a while to align ourselves with his sense of humor and filmmaking. The opening sequence where the main character is born onboard a bus at night in downtown Madrid had some viewers giggling in glee, but it just didn't strike me as that funny. Once the movie started chugging along, however, I began to realize what was in store for us.
To explain what makes the movie so good would entail giving away the fun plot points and twists, so I can't go into too much detail. Suffice it to say, the film takes some unexpected turns that only help in stepping up the darkly comic torque the film so perfectly exudes. While those moments come as a surprise to us, they only add layer upon layer of increasing complications onto the characters and their lives in the story.
Almodovar, who's often credited with "discovering" Antonio Banderas (the new romantic/action leading man and star of "Desperado" and the upcoming "Mask Of Zorro"), enlists some decent performances from his cast in this movie. While few audience members stateside will recognize any of the performers (Javier Bardem was in "Boca a Boca") they all deliver interesting takes on their characters. Although you probably won't remember their names, you'll definitely recall the people they create.
While the director may take a few missteps here and there -- the opening birth of Victor on a city bus goes on way too long, but certainly has some unique moments, and there are probably too many scenes showing David playing basketball -- at other times he offers some fun, innovative scenes. One includes a real-life bullet that ricochets several times until it manages to bounce its way into a similarly staged movie that's playing on the nearby TV. Another involves a fight that stops when a goal is scored during the TV broadcast of a soccer game and the opponents briefly "bond" but then separate just as quickly once the soccer moment is over. Those and other similar scenes played well with our audience and make this movie stand out from the normal, cookie cutter flotsam that often makes its way onto the big screen.
The one main objection I have is that the film is subtitled. Much like any Shakespearean work or any other subtitled movie, it often takes a while to get into synch with watching a film presented in this fashion. Like most other subtitled features, the words on the bottom of the screen distract one's attention away from everything else that's happening, and since the dialogue here is often rapid fire and because so much visually transpires on screen, this film would have been better off dubbed. While I know many viewers don't like that and would prefer to read while listening to the native tongue, it causes many viewers to miss either bits of the dialogue or events that pass by while one's attention is focused on the "wrong" area at the wrong time.
The only thing that's worse is the English translated title. It certainly won't draw many people to a movie that already has its work cut out for it, and will probably repel others who might get the wrong impression regarding what the movie's really about. Even so, if you don't mind the explicit sex scenes and if you like your comedy black with a twist or two, then this movie might be right up your alley. We give "Live Flesh" a 7 out of 10.