Reminiscent of something approaching a combination of the crime influenced films from Quentin Tarantino, the similarly based works of crime novelist Elmore Leonard, and the in-your-face visual theatrics of the latest MTV music video, writer/director Guy Ritchie's debut feature, "Lock, Stock and Two Smoking Barrels," is a blast to watch.
Although it lacks the polished finesse, razor-sharp dialogue and star power of Tarantino's masterpiece, "Pulp Fiction," it makes up for that in sheer energy, fun and inventive camera techniques, and a twist-filled plot that can best be described as a vat full of coiled and intertwined vipers.
As one follows the ever-twisting course of one criminal or group, it inevitably leads to contact with other similar "creatures" that then leads to even more of the same. Of course, much like "Pulp Fiction," this isn't a film for everyone and the choice of characters ranges from the not-so- bad criminals to the more hard-core types. By default, we're forced to root for the former -- since they've been set up by the latter -- but it doesn't really make any difference as it's a hoot watching everyone's plan unravel and/or collide with others.
Despite one's appreciation of those numerous storylines that continually intersect in clever, audience pleasing ways, one of the film's faults lies with its enormous cast of one-dimensional characters. While one certainly doesn't expect award winning performances from a film such as this, due to the way the characters are written and the sheer number of them, any knowledge about them never delves below their superficial attributes.
Some may also complain that Ritchie is ripping off Tarantino (who himself simply put an inventive spin on material he borrowed from others) and jazzing up the proceedings with dazzling but ultimately pointless camera/editing tricks. While both complaints have some merit, they're relatively easy to defend.
Of all the post "Reservoir Dogs/Pulp Fiction," "wanna be the next Tarantino" directors to come along, Ritchie's easily the best and the same holds true for his film. And while we often criticize former music video directors for delivering all flash and no substance in their feature films, Ritchie injects so many fun and interesting techniques that you'll surely find some to your liking and in the end, they add to the overall, hyper-kinetic theatrics. While they, and the nonstop soundtrack occasionally stand out as too obvious, for the most part both are satisfyingly effective.
The performers, while delivering what's expected of them -- which isn't a great deal in a film like this -- all sort of meld into one another with only the extreme criminal characters standing out. As such, and while we know next to nothing about them, P.H. Moriarty as Hatchet Harry, Lenny McLean as Barry "The Baptist," and Vinnie Jones as "Big Chris" -- the debt collector who comes into his own late in the film -- inhabit the juiciest and most memorable characters.
The quartet of actors playing the "good guys" -- while physically different enough from one another -- could easily be interchanged without any apparent detrimental effect although they still manage to deliver fun takes on their characters.
While the film and its use of criminal behavior and violence certainly won't appeal to all moviegoers, for those looking for an offbeat, but high energy romp, you could certainly do a lot worse than this film. Although not up to par with the Tarantino-esque standards it tries to emulate, this picture is still a ton of fun to watch as it unfolds. We give "Lock, Stock and Two Smoking Barrels" -- an appropriate and derivative title considering all that occurs within it -- a 7.5 out of 10.