First written and published in 1939 by Ludwig Bemelmans, the illustrated "Madeline" series of books has delighted children and adults alike for generations. Now, nearly sixty years later, the escapades of the daring and darling little redhead are about to do the same thing on the big screen. A wonderful little film, Madeline is a great example of how live-action films for kids should be made.
Of course, it doesn't hurt that the stories have been successfully tested through time and have an enormous built in audience, thus ensuring a decent theatrical run and even better potential once on video. I'll admit that I wasn't very familiar with the original works going in to see this picture, and thus can't comment on how faithful this adaption is to them and their overall spirit. I can tell you, however, that screenwriters Jennifer Flackett and Mark Levin (with some story assistance from Malia Scotch Marmo) have combined elements from four of the six Madeline books to create this story.
The plot -- while not terribly complicated (which is a good thing for a film aimed at young kids) -- does offer enough charming, funny, and adventurously exciting moments to please audiences of all ages, although young boys will probably be hard pressed to enjoy (or say they enjoyed) it.
While the film's varying scenes occasionally feel somewhat episodic (presumably an artifact from taking elements out of those four books and trying to shape a linear story), it's not so bad as to be distracting, and they fit together well enough to keep things constantly moving (and thus hold the target audience's attention).
For the film ultimately to work, however, it needs a spunky but not overly precocious young girl in the title role, and here it greatly succeeds. Newcomer Hatty Jones is so cute and wonderfully natural in the role that it almost seems as if it were written specifically with her in mind. A natural actress, Jones gives a delightful performance that should not only win her many accolades, but also serve as a tremendous calling card should this talented young performer wish to pursue a career in acting.
Director Daisy von Scherler Mayer ("Party Girl," "Woo") and her international team of casting directors have done an altogether fine job in casting the film. Like Jones, the eleven other girls are all making their feature film debut. While few of them are developed beyond simply filling up space on screen, all do a fine job, and kids will enjoy seeing them eating, brushing their teeth, sleeping, and everything else in unison times twelve.
Oscar nominee Nigel Hawthorne ("The Madness of King George") is perfectly suited to play the wealthy, and initially uncaring baron, but it's Frances McDormand (an Oscar winner for "Fargo" and nominee for "Mississippi Burning") who nearly steals the show. Bringing something of a non- singing Julie Andrews/"Sound of Music" quality to her role, McDormand is fun to watch as she creates a loveably strict, but still pliable headmistress to the young girls.
Shot entirely in Paris, the film's tech credits are all quite good, with cinematographer Pierre Aim smartly shooting from a lower vantage point to better capture the "shorter" world of the young girls, and production designer Hugo Luczyc-Wyhowski nicely capturing the mid 1950's Parisian look (which gives the proceedings more of a fairy tale feel to stateside kids who are unfamiliar with either that time or locale).
While it's doubtful many boys or teens of either gender will want to see this film, and I can't comment on how fans of the series will react, I can't imagine it will be anything but good. As a "newcomer" to the series featuring the spunky little heroine, I was pleasantly surprised by this charming little film. Although it may test the patience of some parents, it might just win them over if they give it a chance, and it should definitely please their little girls to no end. We give "Madeline" a 7.5 out of 10.