Two-time Oscar nominee John Sayles is the dream ideal of every independent filmmaker in the world. Writing, directing and editing his own pictures, he always has "final cut" on them, and not until they're finished does he look for a distribution partner. While his films haven't been huge financial successes (1996's "Lone Star," at $13 million, is his most profitable to date), many have made back their money, and most are favorites among critics and moviegoers who like the fact that no Hollywood executives meddled with the finished product.
Of course, having no one to "look over your shoulder" means an auteur may be too deeply immersed in that product, resulting in him or her being "blind" about whether the film is any good or not. Fortunately for Sayles ("Matewan," "Eight Men Out"), this turns out to be a good film, although it's not quite up to reaching the status of great.
A subtitled film set somewhere in Latin America, featuring a relatively unknown cast that speaks in various languages, definitely has its work cut out for it right from the get-go. Although the title, "Men With Guns," makes this sound like the latest film from Quentin Tarantino or Robert Rodriguez, the film is anything but that. While guns have some play in the story, it's more about a man's quest to ease his ignorance-based guilt of unknowingly sending his former students to their untimely deaths.
Thus, the film's obviously a character-driven tale, and Sayles has found some good performers to drive it forward. Argentinian actor Federico Luppi ("Cronos," "A Place In The World") is perfect in his role playing the older doctor whose desire to leave a medical legacy behind him leads to ever increasing levels of guilt. Not only is he completely believable, but Luppi also creates an entirely sympathetic character who allows us to simultaneously experience the shock and sadness of what he's been ignorant about for all of his life. Sayles also did a good job in casting the other major parts, including Damian Delgado as the nervous army deserter, Dan Rivera Gonzalez as the resourceful boy, and Damian Alcazar who is completely believable as the wayward priest.
In fact, it's a story told by that character that provides the movie with its most mesmerizing scene. Retelling a tale about a "ghost" (what he now calls himself for aimlessly wandering the dirt highways), the former priest's story about a group of villagers having to vote on whether the good of the many outweighs the good of the few is as haunting as it is memorable. Symbolically tying in with a duo of adventurous American tourists who are interested in ancient, ritualistic sacrifices (and played by real life husband and wife Mandy Patinkin and Kathryn Grody who are mainly used as some much needed comic relief), this sacrifice scene is disturbingly moving as several villagers agree to be sacrificed for the "good" of the others.
Much of the movie comes off that way, as Sayles delivers decent short sequences (Fuentes asking the former priest if ignorance of sending his students to their deaths is a sin, etc...), but doesn't always perfectly thread them together to make a completely satisfying story. Occasionally, the narrative seems artificially constructed, as if Sayles has suddenly decided it's time to pick up another character who will relate or introduce a new story or theme to continue the main plot.
While not horribly obstructive, such moments often don't feel completely homogenous with the rest of the movie. Additionally, it doesn't help that as we make this journey with the main character and his companions, the trip continuously gets darker and more somber and definitely heads in the wrong direction of becoming a happy, uplifting tale.
Essentially a road movie with near mythological proportions, Sayles delivers a story of one man's quest to ease his own guilt who, in doing so, uncovers events and circumstances that open his previously shuttered eyes to the horrors that are occurring in his own "backyard." While certainly not a big crowd pleaser and occasionally suffering from a tendency to meander perhaps just a bit too much, this movie features some decent performances and several decently constructed, and moving moments. We give "Men With Guns" a 7 out of 10.