Following in the footsteps of the immensely popular talking pig movie, "Babe," and hitting the big screen before this summer's highly anticipated flick, "Dr. Doolittle," "Paulie" hopes to score big with the young kid crowd by being yet another talking animal movie. While the film has its moments for both children and adults, it never quite succeeds at fully entertaining either group and thus falls into a cinematic limbo ensuring a less than stellar performance at the box office. Expect better returns once the picture makes it to home video.
Kids, and adults for that matter, have always been fascinated by parrots for their ability to "talk." Of course, they only have the unique ability to mimic what they've previously heard, but the idea of having a parrot that can actually understand and converse is a good idea. Unfortunately, the film can't ever decide whether it wants to entertain the kids or their parents. While kids will like the sight and sounds of a parrot that can talk, the filmmakers opted for him to be an adult character instead of being a younger one such as the pig in "Babe." Thus, there's the immediate problem that kids won't "identify" with his character. In fact, once his owner Marie disappears from the story, there are no more "child-like" characters.
The bigger problem, however, comes from long passages in the film that will bore kids into fits of restless behavior. If you're going to make a film like this, it should have lots of fun and zany moments (like "Babe"), but director John Roberts and screenwriter Laurie Craig (both making their major film debuts) have opted instead for trying their hand at more sentimental moments. While the adults might appreciate those efforts, the many scenes where nothing happens, except for lots of conversations, will not please the little ones. At our preview screening, there were many moments of collective unrest among the tykes.
This isn't to say that the film is bad. It's just that it doesn't go far enough to entertain kids, which seems odd since they're obviously the target audience. Additionally, the brief moments of humor -- Paulie nervously asking Benny, "Your not going to kiss me, are you?" as they stop at a lover's lane spot overlooking L.A., or Paulie watching the movie "The Birds" and saying "Get 'em! Get 'em!" -- might elicit a chuckle from the adults, but not many kids. Sure, there are the obligatory belching and farting sounds for the kids that did get them to giggle, but it just seems that the filmmakers missed so many opportunities to please the kids.
The performances are okay for a film such as this. Tony Shalhoub ("Big Night" and TV's "Wings") bring a certain compassion to his role and his Russian immigrant character is clearly and symbolically related to Paulie's isolation. Gena Rowlands (a multi-Oscar nominee for films such as "Gloria" and "A Woman Under The Influence") briefly appears in the film as Paulie's companion, but then abruptly goes blind and dies, leaving Paulie all alone. Despite trying to soften the blow by having Paulie describe her demise by saying that the "cat got her," it's an odd moment for a kids' film.
Cheech Marin (of "Cheech and Chong" fame and films such as "Tin Cup") is pretty much underused as an east L.A. taco stand entertainer and Hallie Kate Eisenberg (in her big screen debut) is good as the little girl with the stuttering problem. Like Rowlands' character, however, she abruptly disappears from the story (but at least doesn't die).
The technical work on Paulie the speaking parrot is quite good and after a while one easily accepts that the bird actually can talk and understand human speech. Combining Boone Narr's use of real critters and Stan Winston's animatronic birds, the effect is quite realistic.
While it's good to see a film aimed at the kids that doesn't include the obligatory and stereotypical "Home Alone" antics with the inane villains falling victim to pratfalls caused by precocious tykes, it would have been nice had the film tried -- and succeeded -- at entertaining the kids a little more than it does. Although some of the kids clapped at the end of the film, I overheard many youngsters leaving the theater stating that they didn't like it very much. That's not a good sign. While the film is pleasant enough for both kids and adults alike, there just aren't enough moments for the little ones to keep them glued to what's happening on the screen. Therefore, we give "Paulie" just a 5.5 out of 10.