Much like the real life road trip down Interstate I-95 that it portrays, "Ride" feels much longer than it actually takes to sit through, is rather uneventful and not very funny, and is filled with a group of people who become more annoying as the event wears on. Dimension films must have felt the same way, for they didn't screen this film for the press and beyond some moderate prospects in urban runs, don't expect "Ride's" ride to last very long in the theaters.
Unlike Spike Lee's cross country bus trip, "Get On The Bus," this film isn't interested in exploring racial issues or politics. Instead, it uses the close quarters of the bus only to cram in several boring vignettes that are supposed to make us laugh, or feel warm and fuzzy inside, but accomplish neither. Granted it's supposed to be a comedy, but considering the dearth of decent films portraying African-Americans in positive roles, it's too bad another one of these hip-hip, sophomoric "comedies" had to be released.
There area no good explanations about why so few decent, well-made comedies featuring African-Americans are made. Just because it's a comedy doesn't mean it has to be stupid, and while the target audience of a film like this (young, urban youths) might not think about such matters, I'd be incensed if such films were the major representation of my race. Instead of being clever like much of the material that was often found on the TV show "In Living Color," this film tries to force feed lame bits on the audience including hyper, sexually charged characters, some flatulence jokes, and a character who wears a shackle around his neck, Kunta Kinte style.
Yes, there are a few decent characters in the story, but they're overshadowed by long bits about the bus continually falling apart, an inner city youth being lost in the "scary" woods, and the obligatory barroom brawl scene. Little of it's humorous, and while lowest common denominator material can occasionally be outrageously funny if the limits are really pushed, this film can't even manage that.
Novice writer/director Millicent Shelton delivers a few decent moments, but isn't stretching her skills very far. Based on her own experiences of being a real-life aspirant for directing feature films who first had to make music videos, the film is a retelling of a parallel story about a bus trip from New York to Miami where things continuously, but comically went wrong. Much like any time someone recounts a personal story, however, it may seem funny to the storyteller, but something's usually lost in the translation and the audience doesn't quite get it. That's the case with this film.
Performances vary all across the board for this flick. Malik Yoppa ("Copland," ""Cool Runnings") is good in his role as the father/authority figure and usually dominates everyone's attention while on screen. Melissa DeSousa ("Sugar Hill," "Menace II Society") plays the lead character, and while engaging, doesn't bring anything particularly special to the role. Meanwhile, rap artist The Lady of Rage is ludicrously bad as Peaches, the lady gangster, but her part is mostly written that way, so one really can't differentiate between what's character and what's acting. That also goes for most of the rest of the performances, although John Witherspoon's take as a bow-tie wearing, old school of soul, bus driver is occasionally humorous, but never outrageously funny.
While writer/director Spike Lee often criticizes Hollywood for not making decent movies for African-Americans, perhaps he should have a chat with Vincent who served as his production assistant on "Do The Right Thing." This is a prime example of how not to make a good film -- regardless of what race might be involved. We give "Ride" a 1 out of 10.