Any movie entitled "Senseless," no matter what the connection to its plot (and whether it is intentionally foolish or not), had better at least be half way decent lest the critics use that title in their bylines. "Senseless? You Bet..." and "Senseless Lives Up To Its Name..." are just a few examples that might pop up. If lowbrow humor -- that includes scatological references -- and slapstick comedy aren't your idea of a good time at the movies, you might just have that same reaction. On the other hand, if you don't mind that and want to see another heir apparent for the type of roles mostly abandoned by the likes of Jim Carrey and others, then you might want to check out this release.
That's due to the presence of Marlon Wayans ("The Sixth Man"), who is another graduate of the "Get 'em Ready for the Movies" TV show, "In Living Color." Not only is Marlon yet another sibling of Keenen Ivory Wayans (the show's creator and which makes me think that the Wayans parents, like those who sired all of those Baldwin brothers, are probably a talent agent's dream), but he's also another cast member of that show who's crossed over the great divide and onto the big screen (joining siblings Keenen and Damon, as well as Jim Carrey, Chris Rock, choreographer Rosie Perez, David Alan Grier and others).
Like fellow alum Jim Carrey, Wayans has a distinct gift for physical comedy that proves to be this film's saving grace. Also, like Carrey, seemingly nothing can embarrass Marlon. Thus we're "treated" to moments of him flailing his body about, slobbering, and an extended sequence of him trying to alleviate a certain itch in his posterior. I must admit that some of the moments are mildly amusing, but all of them are definitely juvenile in nature. Whether you find them humorous depends on your tolerance for comedy stemming from bodily functions, as well as pratfall-type slapstick moments.
The plot itself is simply a one-note joke regarding the main character's enhanced and then malfunctioning senses, all of which is used to feed Wayans' physical routine. While it does provide for a few funny moments, screenwriters Greg Erb and Craig Mazin (who both contributed to last year's "Rocket Man") apparently believed they could just give Wayans a little bit of material and then let him run with it.
That's unfortunate since they do not fully realize the general plot idea and could -- and should -- have developed many more humorous moments stemming from the concept. In fact, some of the bigger laughs come from moments we've seen before. A scene where a woman finds Wayans' flinging of his "paralyzed" limbs around or against her as a turn-on was similarly done in an episode of the 1970's TV sitcom, "Three's Company" (yes, it's embarrassing to admit remembering it) and was actually much funnier.
Still, Wayans pretty much keeps his routine from becoming too obnoxious and creates a compassionate enough character that one hopes he'll eventually succeed, and the film has the obligatory "I've learned my lesson now" moments that redeem him from his past indiscretions. The supporting cast is adequate and the performers serve their mostly stereotypical parts. David Spade (TV's "Saturday Night Live" and "Just Shoot Me") -- who always plays the same snide character that I usually can't stand -- actually perfectly fits the bill here as the snobbish, blueblood foil to Wayans' efforts.
Rip Torn (from TV's fabulous "The Larry Sanders Show") also has the problem of essentially playing nearly identical characters no matter what the role (and that only change in intensity), but I happen to enjoy his performances. He is somewhat underused in this picture, however. Tamara Taylor gets to play the standard issue "serious" girlfriend, which only leaves Matthew Lilliard as the pierced punk rocker to liven things up whenever Wayans is missing.
Director Penelope Spheeris ("Wayne's World," "Black Sheep") has essentially aimed this film at older teens and those in college. It will undoubtably please them but nearly no one else, and should have a better life once on video. While it contains nowhere near the fun or imaginative quality that made the original "Wayne's World" a favorite among critics and moviegoers alike, it may have one decent result.
And that is, it might just be a huge stepping stone for Wayans who may inherit the role of "court jester" from a long line of talented cinematic clowns who have come before him. If you don't mind the one-joke plot that's boosted by some zany, but often crudely based physical comedy (and some obnoxious fisheye lense closeup camera work), this film might be for you. Otherwise, you might want to stay clear of it. We found it to be occasionally funny, but not nearly enough to recommend it. Thus, "Senseless" gets a 3.5 out of 10.