As most everyone can probably attest, one's teen years are often the most turbulent, frustrating and toughest time of anyone's life. Of course, in hindsight, and with many intervening years, that time doesn't seem quite as bad. Nonetheless, the fact that one goes from a dependent child to an increasingly independent young adult during this time certainly causes a great deal of stress.
Not only must teens cope with their changing bodies and emerging sexuality, but also with school, peer pressure, dating and parental expectations regarding those issues and more. Imagine then, if all of that was exacerbated by knowing or questioning that you were gay and realizing that no one could ever find out.
That's the gist of director Simon Shore's directorial debut, "Get Real." Based on the stage play "What's Wrong With Angry" by Patrick Wilde who subsequently penned the screenplay adaption, this bittersweet drama/comedy may end up being a bit too forward in its presentation of homosexuality for many mainstream moviegoers.
Although it doesn't go as far as some other gay-based films, this one isn't quite as "user friendly" as say, the recent and decidedly glossier "In & Out" with Kevin Kline as the small town schoolteacher confused with his sexuality.
More akin to something of a gay spin on those old teen comedies that John Hughes unleashed on the public during the 1980s, this film likewise won't attain the popularity of those pictures due to its lack of appeal to mass audiences. Those with more of an open mind, however, may find this dryly comic look at coming out, British style, a somewhat intriguing and/or entertaining diversion.
Like those Hughes films it emulates, this picture features a protagonist whose parents don't understand him and who's dissatisfied with his love life and finds himself longing after the school hunk. That student seemingly has it all -- good looks, genes, family money and an attractive girlfriend -- but likewise is confused about his feelings and overall place in life. Throw in the wisecracking, confidant friend and you'll find yourself imagining Molly Ringwald and the rest of the 80's "Brat Pack" sauntering in at any moment.
As such, the film follows a similar path as films like "Sixteen Candles -- albeit with one big twist -- with romantic longings, flirtatious behavior and the standard, obnoxious jocks who want to disrupt and/or ruin everything. Yet this picture never feels quite as manufactured as its predecessors and thus comes off as a bit more believable.
While I can't identify with what it must be like to face "coming out," Ben Silverstone (the "Lolita" remake) certainly delivers what seems to be a credible performance as the lead character facing that dilemma. Perfectly playing the loner whose apparent confidence masks the still obvious teen insecurities, Silver easily wins the audience's sympathy -- even if his character's habit of picking up strangers -- and in particular men -- may be troubling or distasteful to some or many.
The rest of the cast -- most of them making their feature film debuts -- all deliver strong and believable performances. Brad Gorton is quite effective as the confused teen who's torn between his romantic feelings and his need to protect his popularity, while Charlotte Brittain as Steven's confidante, is the film's most fun creation. Inhabiting the comedic sidekick role, Brittain nicely plays the character and gets most of the film's best lines.
Compelling in a Romeo and Juliet sort of way -- which, of course, is symbolically used as a literary and symbolic backdrop during several classroom scenes -- the film does have its share of lighter moments, although most would probably classify its humor as dry and/or ironic. Nonetheless, they somewhat make the film more accessible to the average moviegoer -- using humor, the same tactic as "In & Out" did -- and thus prevent it from coming across as a downer.
Although the film will clearly play best to its niche audience, those who don't mind the subject matter may find an interesting and occasionally funny and thought-provoking picture. Although the question of whether Steven will officially "come out" is what propels the story forward, the ending certainly isn't entirely predictable and some nicely constructed complications arise at the proper moments to keep things interesting.
With solid performances from its decent, but mostly unknown cast and dialogue that doesn't seem prefabricated to meet Hollywood standards, the film may not appease the mass moviegoing public, but its obvious homage to John Hughes and lifting of his general story structure will give the movie a bit of a chance to succeed.
While it's not a tremendously entertaining film by any means, "Get Real" is a decent debut for director Shore and may just open some eyes to what many in our society must endure in one of the most difficult periods of anyone's life. We give the film a 6 out of 10.