Of all the ensemble acting troupes to grace the silver screen, few -- if any -- have stuck together as long as the Muppets. While they got their unofficial start on TV with Kermit the Frog's appearance some four decades ago on "The Tonight Show" (hosted by Steve Allen) and there have been some occasional supporting cast changes, their latest effort, "Muppets From Space," marks their sixth film in twenty years of appearing together on the big screen.
Harkening back to their earlier efforts when they played themselves (in contrast to embodying other characters in 1992's "The Muppet Christmas Carol" and 1996's "Muppet Treasure Island"), this somewhat entertaining but ultimately mediocre film is also notable for not containing their standard, sing along musical numbers.
Instead, director Tim Hill -- who makes his feature film debut and is noted as being only the second "outsider" brought in to direct a Muppet picture -- and his trio of screenwriters, Jerry Juhl (who wrote four of the five original Muppet films), Joseph Mazzarino (TV's "Sesame Street") and Ken Kaufman (the upcoming "Space Cowboys"), opted to infuse this caper with some well-known 1970s tunes such as "Brick House," "Shining Star" and "Celebrate."
While the film itself isn't set in that decade, the music isn't apparently present for any reason other than for its bouncy, kid-friendly beat. Of course, the Muppets' TV show and subsequent films have always had kids in mind first and foremost, although some "adult" references were always thrown in to appease the parents.
As such, this film should succeed in pleasing its target audience of young children who don't really care about a movie's artistic qualities -- although there weren't enough children at our press screening to get a feel for how it plays to them -- but it's decidedly lacking in enough of the other material to make their adult chaperones happy.
With its space-centered plot, the film does have some sci-fi and other movie references -- most notably concerning bits spoofing "Close Encounters," "Men in Black," "Independence Day" and a brief homage to Tim Robbins' escape in "The Shawshank Redemption." Yet, such efforts are too brief and/or weak to make them as effective as they should have been.
Like most of the other "Muppet" movies, human cameos are also present -- including the likes of Ray Liotta, F. Murray Abraham, Andie MacDowell, David Arquette and yes, even pro wrestler, Hollywood Hogan in brief roles -- but they're all as similarly uninspired as the rest of the "adult"- oriented content.
Despite obviously being present for the grownups, such cameos easily could have been omitted with more attention being focused on the Muppets themselves. As it stands, the film's entertainment value comes from their character driven, situational humor, but some may be surprised that the troupe's more popular creations -- such as Kermit and Miss Piggy -- are mostly relegated to supporting character status and thus don't have as much screen time as one might like or expect.
Of course it's only fair that after so many films all of the characters would get their chance to share the spotlight. Yet, Gonzo and Rizzo the Rat are -- how shall we diplomatically say it -- not exactly strong enough characters to propel the picture from start to finish.
While kids obviously won't mind or care about such issues, it's a little like watching a James Bond film where the story focuses on Moneypenny or Q instead of 007. Afficionados of those characters would enjoy such treatment, but most everyone else would probably only find it moderately interesting and only for a short while at that.
Such is the case with this film. With Gonzo and Rizzo leading the way, the result is less than a thrilling or particularly entertaining experience. Whether it's because we've now grown accustomed to the Muppets playing other characters (and putting their own unique spin on them) that having them play themselves seems rather blase, or simply because of the mediocre caper- based plot, the film ends up being okay, but not as good as one would imagine or hope.
Nonetheless, the litmus test is whether kids will enjoy it and I'd imagine that they will, particularly if they're fans of the previous Muppet films and/or aren't pint-sized film critics themselves. As such, the film gets a passing grade just for that. One only wishes, however, that the filmmakers put a little more effort into entertaining the obligatorily present adults as well. While some such material is present, it's simply not enough. For that reason, we give "Muppets From Space" a 5.5 out of 10.