Upon hearing the title of the slowly mesmerizing French film, "The Dreamlife of Angels," one is apt to think of any number of Heaven-related pictures such as last year's "City of Angels" or "What Dreams May Come." Having just seen this perfectly cast and superbly acted film, I still haven't a clue about its title, but a more accurate one might be "Bad Dreams of the Poor."
An occasionally haphazard and structurally disjointed tale that's initially pace-impaired, but ultimately successful at luring the audience into its story -- perhaps that's the "dream" part -- the film isn't for everyone's tastes and its tempo -- or lack thereof -- may challenge those who favor more spry affairs.
Yet, despite that, the English subtitles (that turn the film into a reading chore instead of a visually told medium), the fact that it's slow to present much of anything interesting and ends with two poorly executed scenes, I surprisingly found myself being drawn ever deeper into the story, and especially its characters, as the story continued to unfold.
Having made its way through the international theatrical circuit, the film has been racking up many nominations and awards -- particularly for its two outstanding leads who shared the Best Actress Award at last year's Cannes Film Festival -- and for good reason.
While Elodie Bouchez ("Wild Reeds") and Natacha Régnier (the upcoming "Time to Love") clearly aren't household names stateside and their lower class characters here are initially neither attractive nor particularly likeable -- which usually constitutes a stake through the heart for evoking audience empathy -- these fine actresses play them with such verisimilitude that one can't help but be drawn to them.
Like people you've probably met at a party or any other social gathering and didn't particularly like -- mainly due to them being strangers and the matter of judging a book by its cover -- but then later changed your mind once you knew them better, these characters get under your skin and cause you to experience and care about their lives -- including both the good and bad parts -- with them.
Although that effect is slow to develop, and you might never really like the characters -- particularly the usually caustic Marie -- you'll begin to develop interest and hope for them as much as Isa does for the comatose girl.
As such, director Erick Zonca (making his feature film debut) and co-screenwriter Roger Bohbot do an exemplary job of taking rather woeful and haggard subject matter and characters and making them quite interesting. Some missteps are present, however, in that the film is often haphazardly constructed and edited, with scenes often abruptly starting and stopping without much regard to the film's overall pace and tone.
In addition, two poorly executed events occur late in the film that if handled more properly, might not have seemed quite so jarring. While one is somewhat of a logical extension of events preceding it, the event -- which we won't give away here -- comes off more as a contrived way to wrap up the story.
The other event, which is described but fortunately not seen, similarly ties up some loose ends to give the story at least a semblance of a happy ending. It comes so far out of the blue and feels so ridiculous, however, that is nearly derails all that came before it.
Nonetheless, and despite that fact that nothing spectacular ever happens, you'll probably find yourself getting drawn into the story and the characters due to the strong performances and Zonca's ability to subtly manipulate the audience into caring for them. Although not anywhere near being a perfect film, its mesmerizing qualities make it worth checking out. We give "The Dreamlife of Angels" a 6 out of 10.