Upset that her father has now disappeared just as her mother did two years ago, Molly is understandably distraught, and her strong emotions and tears activate the Unown that can read human minds and turn thoughts, dreams and desires into reality. Since she last equated her father to Entei, a leonine Pokémon that she read about from a storybook with him, that large creature suddenly appears and takes the place of her father, just as large crystalline structures encase the mansion, sealing Molly within her fantasy world.
With Molly desirous of having a mother as well, Entei leaves the mansion to find one, returning with Delia Ketchum, the mother of one of the most famous Pokémon trainers, Ash Ketchum. Seeing her abduction, Ash, his friends Misty and Brock, and their various Pokémon then set out to rescue Delia from her crystal prison, all while dealing with Molly who doesn't want her fantasy world disturbed, and Entei who will do anything to defend the girl and uphold her wishes.
A young girl believes that she's now orphaned after her father suddenly disappears (her mother did the same two years earlier), but she gets a substitute family during much of the film and is reunited with her family at the end. Beyond that and a few bad attitudes, the rest of the film's categories have little or nothing in the way of major objectionable material. If you're still concerned about the film's appropriateness, however, you may want to take a closer look at our detailed contents listings for more specific examples of what occurs in the film.
All Rights Reserved,
(2001) (voices of Veronica Taylor, Eric Stuart) (G)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
None
None
Mild
*Mild
*None
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Minor
None
Moderate
None
None
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
None
None
Moderate
Moderate
Moderate
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed March 31, 2001 / Posted April 6, 2001
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