Through a series of flashbacks, we then follow him from 1955 New York where he's introduced to the world of TV production to 1961 Philadelphia where he's trying to make a pilot. It's there that he meets the free-spirited Penny (DREW BARRYMORE) who gives him the idea for "The Dating Game."
He also meets Jim Byrd (GEORGE CLOONEY), a CIA recruiter who believes Chuck fits the profile to be a freelance assassin. Although initially reluctant, Barris eventually agrees and then goes on to become quite proficient in the field, all while using his chaperone duties on "The Dating Game" as his cover for his hits.
Yet, he longs to be just a TV producer, but his interaction with shady operatives such as Patricia Watson (JULIA ROBERTS) and Keeler (RUTGER HAUER) eventually means that he's in too deep to simply walk away. From that point on, he tries to balance his TV work, his relationship with Penny and the fact that he might be the next target of an anonymous but deadly mole.
Various characters have varying degrees of bad attitudes including the protagonist who cheats on his girlfriend and works as an assassin for the CIA. Several such murders occur (with some bloody results) but most do so off camera. Other fighting, striking and struggling is also present. Various characters drink and/or smoke, while one woman asks for but does not receive some pot.
Should you still be concerned about the film's appropriateness for yourself or anyone else in your home, you may want to look more closely at our detailed listings for more specific information regarding the film's content.
All Rights Reserved,
(2002) (Sam Rockwell, Drew Barrymore) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Heavy
Heavy
Extreme
Mild
Extreme
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Mild
None
Mild
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Extreme
Extreme
Minor
Mild
Extreme
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed December 13, 2002 / Posted January 24, 2003
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