He gets the idea, however, that Ash's letters weren't written to his wife, but instead to fellow Victorian poet Christabel LaMotte (JENNIFER EHLE). Needing more information, Roland goes to visit stuffy British academic Maud Bailey (GWYNETH PALTROW) who's been doing her own research on LaMotte who was a distant relative of hers.
Maud believes that Roland's theory is rubbish, particularly since she knows of Christabel's lesbian lover, Blanche Glover (LENA HEADEY). Nevertheless, she eventually but reluctantly decides to assist him in his literary detective work, and the two end up finding more letters that begin to confirm Roland's theory.
As they continue their work and try to circumvent Maud's former boyfriend, Fergus Wolff (TOBY STEPHENS), from beating them to the punch of getting to the bottom of this potential historical scandal, they begin to develop feelings for each other, much like Ash and LaMotte who we see in various flashbacks that parallel the contemporary story.
Various characters have varying degrees of bad attitudes (including those involved in that affair as well as some grave robbers), some drink, and violence consists of a man punching another man, another character twice holding his gun on intruders, and a woman who commits suicide by drowning herself (the actual death is not seen).
If you're still concerned about the film and its appropriateness for yourself or anyone else in your home who may be interested in seeing it, we suggest that you take a closer look at our detailed listings for more specific information regarding the film's content.
All Rights Reserved,
(2002) (Aaron Eckhart, Gwyneth Paltrow) (PG-13)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Mild
Minor
Heavy
Minor
Mild
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Mild
None
Minor
None
Mild
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Heavy
Minor
Moderate
Moderate
Mild
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed July 19, 2002 / Posted August 16, 2002
By entering this site you acknowledge to having read and agreed to the above conditions.
©1996-2022 Screen It, Inc.