When he's not working, he hangs out with his Chinese friend, Guo Yi (BENEDICT WONG), who works in the local morgue, and shares an apartment with Turkish immigrant Senay (AUDREY TAUTOU) who's a daytime maid at the same hotel. She's quite skittish about immigration officials and doesn't want anyone to know she and Okwe are sharing a flat, despite nothing romantic happening between them.
Things take an interesting turn when Okwe discovers a human heart in a guest room's toilet. Juan tells him to mind his own business, but Okwe soon uncovers a black market organ donor ring that's being run out of the hotel. In exchange for forged passports and other immigration papers, illegal immigrants "donate" organs needed by sick people.
With immigration officials closing in on both of them, Okwe and Senay attempt to avoid them, all while trying to figure out how to deal with the organ donor ring and its complicated consequences.
There are varying degrees of bad attitudes on display, while various characters smoke and/or drink (and one takes some sort of "upper" herb to keep him awake). Some brief violence occurs, and there are some bloody/gory scenes involving a black market organ donor ring. Thematic issues involve that, the plight of immigrants and a brief bit about the morning after pill.
If you're still concerned about the film and its appropriateness for yourself or anyone else in your home who may be interested in seeing it, we suggest that you take a closer look at our detailed listings for more specific information regarding the film's content.
All Rights Reserved,
(2003) (Chiwetel Ejiofor, Audrey Tautou) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Moderate
Heavy
Extreme
Mild
None
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Mild
None
Mild
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Extreme
Mild
Minor
Heavy
Mild
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed June 16, 2003 / Posted August 1, 2003
By entering this site you acknowledge to having read and agreed to the above conditions.
©1996-2022 Screen It, Inc.