Four years earlier, they crashed her wedding, killed everyone in the wedding party and left her for dead. Emerging all of those years later, she's already killed some of her fellow assassins and former associates and is now after the remaining ones, Elle Driver (DARYL HANNAH) and Sidewinder (MICHAEL MADSEN).
Of course, her main goal is to make her way to Bill who she intends to kill, most likely using the teachings of martial arts master Pai Mei (GORDON LIU) with whom she trained years earlier. Yet, as Black Mamba makes her way to Bill, little does she know the unexpected developments that will challenge her very resolve.
Violence includes several murders along with several brutal fight sequences. Some of them have bloody/gory results and may be, along with other scenes such as a person being buried alive, unsettling or suspenseful to some viewers, as might several "jump scenes."
Various characters have varying degrees of bad attitudes, while various forms of imitative behavior are present. Some characters drink and/or smoke, while two briefly do cocaine and another is encouraged to smoke pot.
If you're still concerned about the film and its appropriateness for yourself or anyone else in your home who may be interested in seeing it, we suggest that you take a closer look at our detailed listings for more specific information regarding the film's content.
For those concerned with bright flashes of light on the screen, some of that comes from a campfire flicker in one scene. Later, we see the flicker of light from a TV at night.
All Rights Reserved,
(2004) (Uma Thurman, David Carradine) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Heavy
Extreme
Extreme
Moderate
Extreme
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Moderate
Mild
Moderate
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Moderate
Mild
Mild
Moderate
Extreme
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed April 1, 2004 / Posted April 16, 2004
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