In an instant, Mystery, Inc.'s reputation is ruined and the team has to figure out who or what is responsible for what occurred. Their first thought is of the man who first inhabited the pterodactyl costume -- Jonathon Jacobo (TIM BLAKE NELSON) -- but he supposedly perished during a prison break. They then think of his former cellmate, Old Man Jeremiah Wickles (PETER BOYLE), and thus set off to look for clues in his mansion.
As Velma tries to deal with her feelings toward Patrick, and Shaggy and Scooby are determined to become serious detectives, the group's discoveries lead them to an abandoned mine. There, they accidentally activate a monster-making machine that pumps life into the costumes of the ghosts and monsters from the museum. From that point on, the group tries to avoid those monsters while working to figure out and unmask the culprit behind them.
One of the young ladies appears in a very tight and form-fitting leather outfit (to attract a guy she likes), while some mad science causes a male character to turn into a buxom woman wearing a tight-fitting crop top. Some possible veiled sexual references are made.
Several instances of crude humor are present, as are various bits of potentially imitative behavior, including a number of colorful phrases and very brief profanity. Some bad attitudes are present, while one person smokes and brief drinking occurs.
Should you still be concerned about the film's appropriateness for yourself or anyone else in your home, you may want to look more closely at our detailed listings for more specific information regarding the film's content.
All Rights Reserved,
(2004) (Freddie Prinze Jr., Matthew Lillard) (PG)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Minor
Mild
Moderate
*Moderate
None
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Moderate
None
Moderate
None
Minor
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Mild
Minor
None
Mild
Moderate
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed March 20, 2004 / Posted March 26, 2004
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