That's because Ryder is a homicidal maniac who subsequently carjacks them. The two manage to fight him off and kick him out of their moving car, only to later encounter him again in a family's station wagon. Trying to warn them of the dangerous man inside their car, Jim and Grace end up crashing, only to then find that Ryder has killed the mother and son and badly wounded the father. Racing to get that man help, Jim and Grace have another encounter with Ryder who seems intent on terrorizing rather than killing them, resulting in the young couple being mistaken by the local police as cold-blooded killers.
That is, except for Lieutenant Esteridge (NEAL McDONOUGH) who doesn't think things add up. As Ryder's killing spree allows Jim and Grace to escape, they flee in hopes of eluding the lunatic, all with the police on their tail and Esteridge trying to figure out the real story.
Violence consists of people being killed by various means (mostly shootings, but also pulling one victim's body in half, slitting throats, etc.). Most of that has extremely bloody and gory results, while those scenes and various moments of peril might be unsettling and/or suspenseful to viewers. Meanwhile, the killer obviously has a bad attitude.
Should you still be concerned about the film's appropriateness for yourself or anyone else in your home, you may want to look more closely at our detailed listings for more specific information regarding the film's content.
For those prone to visually induced motion sickness, varying amounts of handheld camerawork are seen in the film.
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(2007) (Sean Bean, Sophia Bush) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
*None
Extreme
Extreme
*Heavy
Extreme
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Mild
Heavy
Extreme
Heavy
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Heavy
*None
None
Moderate
Extreme
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed January 18, 2007 / Posted January 19, 2007
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